Ming Ranginui

born 1998, Whanganui

Te Āti Haunui-a-Pāpārangi

Ming Ranginui holds a Bachelor of Fine Arts (Honours) degree from Massey University, Te Whanganui-a-Tara. She continued her studies at Te Wānanga o Raukawa, specialising in raranga (weaving). Ranginui is best known for sculptural works incorporating whatu or tāniko (Māori weaving techniques) and satin smocking. She bends customary fibres and contemporary fabrics to her will, using her distinctive visual and material sensibility to reimagine everyday entities. Her works focus on the themes of tino rangatiratanga (Māori sovereignty), spirituality, and survival. The pūrākau (stories) they express speak to her personal experiences but also reach out to the collective experiences of Indigenous people grappling with the generational impacts of colonisation.

MING RANGINUI
Matarau (installation view), 2022
City Gallery Wellington Te Whare Toi, Te Whanganui-a-Tara
Photograph by Cheska Brown

MING RANGINUI
Angel Numbers on the Dash (detail), 2022
Modified 2003 Daihatsu Sirion

MING RANGINUI
Āmene, 2022
(From Angel Numbers on the Dash)
Satin, wadding, rhinestones
500 x 500 x 150mm
MING RANGINUI
Ride or die, 2021
Saddle, satin, sheepskin, rhinestones
680 x 590 x 430mm
Private collection, Tāmaki Makaurau
MING RANGINUI
She lived allgoods ever after (detail), 2021
Satin, beads, rhinestones, satin cord, elastic cord, wadding, cord locks
1730 x 530 x 200mm
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MING RANGINUI
Late to the ball (installation view), 2023
Season, Tāmaki Makaurau
MING RANGINUI
Dole house, 2023
Satin, wadding, satin cord, diamantes, pearls, beads
900 x 950 x 600mm
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MING RANGINUI
Till the clock strikes five, 2023
Satin, wadding, beads, vinyl cord, cord lock, clock mechanism
680mm (diameter)
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MING RANGINUI
Swept under the rug, 2023
Muka, cotton pearl thread, broomstick
1600mm (length)
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